The Iranian government is fighting against the coronavirus pandemic not only with travel restrictions and social distancing rules, but also with ideological tools that promote unity and resistance. Through the production of posters and other media, Iran is creating connections between earlier battles, such as the Iran-Iraq war, and the current health crisis. Kevin Schwartz and Olmo Gölz trace the lineage of the iconography used in these images and the ideological efforts behind them.
Saudi Arabia’s illicit infiltration of Twitter turns out to be only the tip of the iceberg of regional regime’s efforts to wrest control of political discourse on social media.
CIA black sites. “Extraordinary rendition.” The PATRIOT Act. Massive NSA surveillance. The 2003 invasion of Iraq. Abu Ghraib. Torture. Religious and racial profiling. FBI entrapment. Drones, “kill lists” and civilian casualties. “Terror Tuesdays.”
Whatever the successes of US public diplomacy since the attacks of September 11, 2001, they pale in comparison to the cavalcade of scandals. And all these foreign policy “missteps” or manifestations of “imperial hubris”—take your pick—predate the rise of the self-proclaimed Islamic State, or ISIS, the latest fixation of State Department attempts at counter-radicalization through messaging.
Khalid Albaih is a political cartoonist “from the two countries of Sudan,” in his words, who is now based in Qatar. His drawings appear at his Facebook page, entitled Khartoon! in a play on the name of the Sudanese capital. Katy Kalemkerian and Khalid Medani spoke with him in Montreal on November 9, 2014, and conducted a follow-up interview by Skype after the January 2015 attack on the offices of the French magazine Charlie Hebdo, notorious for its regular caricatures of the Prophet Muhammad in degrading or humiliating poses.
“We live in a country where liberals renege on democracy, Islamists harm Islam and human rights activists champion oppression,” an Islamic television producer cynically remarked three months after Muhammad Mursi was ousted from Egypt’s presidency in July 2013. That summer, the televised images of multitudes of flag-waving protesters were uncanny in their resemblance to those of the 2011 revolution that forced Husni Mubarak from power. The arc of the unfolding political drama, it seemed, was also strikingly similar: The people took to the streets peacefully; the president was unmoved, vowing to complete his term and threatening chaos if removed; the military decided to side with the people; the revolution was saved.
Mohamed Elshahed is a young, dynamic architect and researcher who is documenting changes to urban space in Egypt at his highly popular blog Cairobserver. Elshahed completed a doctorate in Middle East studies at New York University and is now a postdoctoral fellow at the Berlin-based Forum Transregionale Studien. He also holds a MA in architecture studies from the Massachusetts Institute of Technology. His dissertation is titled, “Revolutionary Modernism?
In the last week of August, after several false starts, a ceasefire finally halted the summertime slaughter in Gaza. Israel’s bombs stopped falling, Palestinians stopped dying and the world media stopped its round-the-clock coverage. And, just like that, Gaza was again yesterday’s news.
Three weeks into Israel’s military campaign against Gaza, media and observers are turning the lens inward on the coverage itself. NBC was the focus of the conversation after the network recalled its correspondent in Gaza, Ayman Mohyeldin, shortly after he filed a powerful report on the killing of four boys playing on a Gaza beach. A barrage of criticism on social media spurred network executives to return Mohyeldin to his post, but MSNBC’s Rula Jabreal was not so lucky. Jabreal lost her contract with the network after she criticized its bias and that of American media on the whole.
The New York Times is the most prestigious of the prestige press in the United States. The famed “gray lady” is the newspaper of record, a citadel of objectivity, it is said, where the first draft of history is crafted. It sets the agenda for other newspapers, for the broadcast news programs and even for cable TV news.
On July 2, 16-year old Palestinian Mohammed Abu Khdeir was abducted, beaten and burned alive, apparently by a group of Jewish Israelis. News of this “torture and murder by fire,” prominent American commentator Jeffrey Goldberg confesses, “initially prompted in me a desire to say, ‘But.’” Alas, his considered response was scarcely more enlightened.
In a recent Slate article, Anne Applebaum makes the case that Egypt’s presumptive president-to-be ‘Abd al-Fattah al-Sisi should look to India, Brazil or South Africa, rather than the United States or other industrialized states, for examples of how to “do” democracy. She rightly notes that Sisi’s argument that Egypt isn’t ready for democracy is an old standby for authoritarian regimes.
Wael Eskandar is an independent journalist and blogger based in Cairo. He writes for al-Ahram Online, al-Monitor, Jadaliyya and other outlets. Sheila Carapico interviewed him by e-mail about the political and media atmosphere as Egypt prepares for the May 26-27 presidential election that is expected to anoint ‘Abd al-Fattah al-Sisi, the former field marshal and defense minister, as chief executive.
Every year around Christmas and Easter, a kind of meta-ritual takes place in which American journalists describe how these holidays are celebrated in the “Holy Land.” It is a long-running story, never stripped of politics. In 1923, for example, the New York Times published a classically Orientalist opposition of here and there, us and them. Easter in Jerusalem was a “frenzy of devotion,” “an annual release of the entire community, such as you and I in New York know nothing of. Somewhere in the centuries during which our ancestors were moving westward from the Middle East we have lost the gift of it and we have never recaptured it.” 
On December 17, 2010, a young Tunisian itinerant seller named Mohamed Bouazizi had a minor run-in with the cops. It was just another of many, but at this last indignity, the now world-famous produce vendor snapped. Later that day, in protest against his interminable humiliation at the hands of the police, he set himself on fire in front of the local police station. The rest is history.
Within hours of the onset of Operation Pillar of Defense, Israel’s latest military campaign in the Gaza Strip, global news outlets had already turned their spotlight on social media. A raft of stories led with the Israel Defense Forces’ use of the popular networking platforms to advance their public relations message, pointing to their use of Twitter to announce the army’s assassination of Hamas military commander Ahmad al-Ja‘bari and their slickly produced Facebook posts justifying the ongoing aerial bombardment.
While Mohamed Bouazizi’s self-immolation will undoubtedly remain the iconic image of the 2011 Tunisian revolution, another set of pictures has also stuck in the minds of Tunisians. On the evening of January 14, despite an army curfew, a man staggered across Avenue Habib Bourguiba, shouting, “Ben Ali fled — the Tunisian people is free! The Tunisian people will not die! The Tunisian people is sacred!”