Memories of enslavement are often silenced and yet suffuse everyday life in the Gulf. As governments across the Gulf Cooperation Council (GCC) countries memorialize a maritime, pre-oil Indian Ocean past as part of their nation-building projects, the Bin Jelmood House—a museum in the heart of Doha—stands as a potentially subversive space. The museum forces visitors and Gulf residents to reckon with slavery and the exploitation of labor, in the past and present. Yet the larger context around the museum begs the question: How are national imaginaries produced and deployed in the international arena through museums and heritage projects and do they illuminate or obscure historical and contemporary injustices?
How do race and racism operate in the Gulf? Neha Vora and Amélie Le Renard closely examine how the term “Indian,” as it is used in the United Arab Emirates, refers to much more than national origin. They trace the role of colonialism, capitalism and the state in creating “Indian” as a racialized category in contrast to an imagined pure Gulf Arab identity. Attempts to police the boundaries between citizens and non-citizens obscures the Gulf’s truly multicultural and multiracial history and present.