The arrest of Abdullah Öcalan, the leader of the militant Kurdish Workers’ Party (PKK), at the beginning of 1999 and the almost instantaneous wave of protest across Europe, in Australia and later within Turkey briefly increased the prominence of the Kurdish struggle for autonomy in Turkey. As one of the most important symbols of Kurdish identity, the Kurdish language has been subject to legislation that curbs its use. While attempts by Kurds to preserve their language in the face of stringent prohibitions have received significant media and academic attention, the fate of other linguistic minorities in Turkey under the same prohibitions has been almost entirely overlooked.
What impresses one is the will to ignore and reduce the Arabs that still exists in many departments of Western culture, and the unacceptable defeatism among some Arabs that a resurgent religion and indiscriminate hostility are the only answers.
— Edward Said (1990)
In April 2000, Abbas Kiarostami received the Akira Kurosawa Lifetime Achievement Award at the San Francisco Film Festival. While in the United States, Kiarostami visited New York City, where the Andrea Rosen Gallery mounted the first US exhibition of Kiarostami’s photographs. The photographs, which were shown in a stark white loft space, appeared without titles, dates or labels. Anthony Shadid and Shiva Balaghi spoke with Kiarostami about his art photography.
Following the Iranian revolution of 1979 and the inauguration of the Islamic Republic, many predicted that new restrictions would kill off Iran's cinema. But Iranian film has survived, undergoing remarkable transformations in parallel with the wider changes in Iranian culture and society. Today, Iranian cinema is recognized as one of the most innovative and exciting in the world, and films from Iranian directors are being screened to increasing acclaim at international festivals. The key to resolving the apparent contradiction between Iran's repressive image and the renaissance of Iranian cinema is to understand the relationship that developed between art, society and the state after the Islamic revolution.
This May's escalations in the long-since militarized confrontation in the Occupied Territories prompted the obligatory calls upon the US to intensify its diplomatic efforts. Secretary of State Colin Powell responded with the lackluster Mitchell Commission report and another attempt to broker a ceasefire. But as usual, the much-ballyhooed US initiative did not depart from basic support for Israel's positions.
